Subtle Bass Waves and Icelandic Melancholy: Why "Why?" by GusGus is Perfect for Audio Testing
The recording of Symphony No. 9 "From the New World" by Manfred Honeck and the Pittsburgh Symphony Orchestra can safely be described as outstanding. Antonín Dvořák wrote his 9th Symphony during his tenure as Director of the National Conservatory of Music in New York. Fascinated by the vastness of the country as well as spiritual and indigenous melodies, he wove the soul of America into a European musical framework. Manfred Honeck, who has led the Pittsburgh Symphony Orchestra (PSO) to world renown for many years, approaches this iconic masterpiece with his signature meticulousness. The recording was captured live in the high-res DXD format within the fantastic acoustics of Pittsburgh's Heinz Hall. Honeck elicits unprecedented dynamics from the orchestra—from delicate string passages in the famous Largo to explosive brass salvos in the Allegro con fuoco. For those looking to push the Sarasvati Soundboards to their limits, this is the ultimate reference recording: 1. Depth & Spatial Imaging: The audio engineers have perfectly captured the acoustic dimensions of Heinz Hall. A great sound system must place the instrumental sections precisely within the soundstage. 2. Dynamic Range: The transition from the softest woodwind solos to monumental tutti outbursts demands exceptional transient response from amplifiers. 3. Bass Precision: The powerful timpani and double basses in the final movement must never sound boomy; instead, they should remain punchy, tight, and profoundly deep within the room.
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